Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art123964portraitAlbrecht Dürer (German, 1471–1528)1504CC0cma mythology symbols-patterns portraits flora-fauna design-assets ink-paper-impressions objects-with-gravity symbols patterns flora fauna design assets ink paper impressions objects with gravity adam eve tree of knowledge engraving woodcut renaissance albrecht durer nude male female symbolism grey black white antique classical andAlbrecht Dürer (German, 1471–1528) 1504 Germany, early 16th Century engraving Print European MythologicalMyth & Metamorphosis Symbols & Ornament Faces in Time The Living World The Maker’s Cabinet Ink, Paper & Impressions Objects with Gravity
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Adam and Eve by Albrecht Dürer (German, 1471–1528) (1504). Dudley P. Allen Fund Rights: CC0. https://clevelandart.org/art/1944.473
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From the museum record
Albrecht Dürer’s iconic engraving was hugely impactful to the spread of natural symbolism in Europe. Drawing upon Classical sculptural models, he represented Adam and Eve in perfect, uncorrupted beauty moments before tasting the forbidden fruit. The tree of knowledge, with its writhing serpent, is a fig tree, and the tree of life, which Adam clasps, a mountain ash, native to Northern Europe. The elk, rabbit, cat, and ox are symbols of the four human temperaments—melancholic (gloomy), sanguine (sensual), choleric (cruel), and phlegmatic (slothful)—in perfect balance. But the cat and mouse hint at aggression to come, and the parrot, appearing like a beacon in the dark northern forest, heralds the promise of the Virgin Mary (the new Eve).
Lupin’s visual index
This engraving depicts Adam and Eve standing before the Tree of Knowledge, surrounded by symbolic animals and foliage.
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