Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art157088landscapeGiovanni Benedetto Castiglione (Italian, 1609–1664)1650–55CC0cma landscapes flora-fauna design-assets ink-paper-impressions flora fauna design assets ink paper impressions cattle etching landscape forest animals baroque print rural nature composition chiaroscuro monochrome 17th century pastoral engraving wildlife noah and the entering arkGiovanni Benedetto Castiglione (Italian, 1609–1664) 1650–55 Italy, 17th century etching Print European LandscapeHorizons & Places The Living World The Maker’s Cabinet Ink, Paper & Impressions
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Noah and the Animals Entering the Ark by Giovanni Benedetto Castiglione (Italian, 1609–1664) (1650–55). Gift of The Print Club of Cleveland in honor of the Club's seventy-fifth anniversary Rights: CC0. https://clevelandart.org/art/1993.222
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From the museum record
Animals were among Giovanni Benedetto Castiglione’s favorite subjects, leading him to frequently depict the biblical story of Noah’s Ark. Here, a group of men guide horses, deer, dogs, goats, and even guinea pigs toward the ark. After viewing etchings by his contemporary Rembrandt, whose work was not yet known widely in Italy, Castiglione recognized the potential of the medium. He emulated the Dutch master’s sketchy, draftsman-like approach and created a recession into space by combining deeply and lightly etched lines. The lush landscape, with its complicated layers of vegetation that swirl with movement, is a distinctive feature of Castiglione’s technique.
Lupin’s visual index
A detailed etching depicts a group of cattle grazing amidst a dense, shaded forest landscape.
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