Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art136268landscapeNiccolo Boldrini (Italian, c. 1500–after 1566)1535–45CC0cma sacred-art landscapes flora-fauna design-assets ink-paper-impressions objects-with-gravity sacred art flora fauna design assets ink paper impressions objects with gravity monks forest engraving black and white religious contemplation landscape medieval woodcut serene dark trees grayscale 16th century saint francis receiving the stigmataNiccolo Boldrini (Italian, c. 1500–after 1566) 1535–45 Italy, Venice woodcut Print European ReligiousSacred & Devotional Horizons & Places The Living World The Maker’s Cabinet Ink, Paper & Impressions Objects with Gravity
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Saint Francis Receiving the Stigmata by Niccolo Boldrini (Italian, c. 1500–after 1566) (1535–45). Delia E. Holden Fund Rights: CC0. https://clevelandart.org/art/1960.160
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From the museum record
In this woodland setting, the trees yield to the divine presence, which travels from the upper right sunburst through the forest, like a heavenly explosion, toward the figure of Saint Francis at left. Landscape was central to the story of the saint, who, Christian tradition says, spent years in the wilderness living as a beggar before he miraculously received the stigmata (wounds of Christ) during an ecstatic vision. Titian’s dramatic lines create a series of dynamic diagonals, heightening the moment of religious rapture and expressing God’s power through the wonderous riches of nature.
Lupin’s visual index
Two monks kneel in a dense, shaded forest landscape, rendered in intricate black-and-white engraving.
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