Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art112099landscapeJacopo de' Barbari (Italian, c. 1460/70–c. 1516)c. 1503CC0cma sacred-art landscapes flora-fauna design-assets ink-paper-impressions objects-with-gravity sacred art flora fauna design assets ink paper impressions objects with gravity holy family virgin mary jesus john the baptist engraving woodcut renaissance italian art religious art black and white serene landscape tree detailed etching classical the holy family saint elizabethJacopo de' Barbari (Italian, c. 1460/70–c. 1516) c. 1503 Italy, 16th century engraving Print European ReligiousSacred & Devotional Horizons & Places The Living World The Maker’s Cabinet Ink, Paper & Impressions Objects with Gravity
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The Holy Family with Saint Elizabeth by Jacopo de' Barbari (Italian, c. 1460/70–c. 1516) (c. 1503). Dudley P. Allen Fund Rights: CC0. https://clevelandart.org/art/1930.575
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From the museum record
While this landscape might seem desolate and strange, it is rife with religious symbolism. The Virgin Mary and Christ on the right sit with Mary’s cousin, Saint Elizabeth, and her son, Saint John the Baptist. The Bible describes Elizabeth as past childbearing age; both she and Mary were granted virgin births by God. The barren trees, therefore, signify Elizabeth’s infertility, while the fencelike enclosure denotes the enclosed garden of virginity. The trees also remind viewers of Eve’s sin in the Garden of Eden. Jacopo de’ Barbari placed lively grapevines on the dying trees, a metaphor for Christ.
Lupin’s visual index
This engraving depicts the Virgin Mary, Jesus, and John the Baptist seated beneath a tree in a serene, shaded landscape.
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