Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art108399portraitOdilon Redon (French, 1840–1916)1899CC0cma sacred-art symbols-patterns portraits design-assets ink-paper-impressions sacred art symbols patterns design assets ink paper impressions angel etched grayscale black and white sadness mourning chains wings portrait dark texture 19th century romanticism symbolism depiction figure and the took censerOdilon Redon (French, 1840–1916) 1899 France, late 19th Century lithograph, [object Object], [object Object] Print European ReligiousSacred & Devotional Symbols & Ornament Faces in Time The Maker’s Cabinet Ink, Paper & Impressions
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And the Angel Took the Censer by Odilon Redon (French, 1840–1916) (1899). Gift of Ralph King Rights: CC0. https://clevelandart.org/art/1926.140.4
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From the museum record
The last of Odilon Redon’s 11 lithographic portfolios, this series relates to the Book of Revelation from the Christian Bible. The subject had been explored throughout art history, allowing the artist to align himself with past masters, such as Albrecht Dürer. Although Redon often vaguely referenced texts, these prints directly illustrate 12 individual passages, including one about a woman clothed with the sun and another focused on a great star falling from heaven. By the time he created this portfolio, Redon’s reputation was well established. The project was published by art dealer Ambroise Vollard, who began to sell and promote Redon’s work about a year earlier, building a market for his prints in Paris and abroad.
Lupin’s visual index
a grayscale etching depicts a sorrowful angel with wings, chained and shadowed within a dark, textured tree.
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