Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art169738portraitc. 1300–1330CC0cma sacred-art symbols-patterns portraits design-assets ink-paper-impressions sacred art symbols patterns design assets ink paper impressions crucifixion jesus mary john medieval manuscript illumination gothic religious christian gold red blue brown floral ornament 13th century religious art leaf psalter thec. 1300–1330 Flanders, Liège, 14th century ink, tempera and gold on vellum Manuscript ReligiousSacred & Devotional Symbols & Ornament Faces in Time The Maker’s Cabinet Ink, Paper & Impressions
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Leaf from a Psalter: The Crucifixion (c. 1300–1330). The Jeanne Miles Blackburn Collection Rights: CC0. https://clevelandart.org/art/2011.54
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From the museum record
The diocese of Liège was extremely active as a production center for psalters and psalter-hours from the second half of the 1200s through about 1330. This market, no doubt, was stimulated by the need of women for a devotional text. As women were drawn to the convents of religious orders such as the Dominicans, the Beguines and Begards, and the Poor Clares, they had need of a book that would provide them with suitable devotional material. The psalter was the book that these women, many of whom were high-born, most commonly used. The present leaf, with its monumental miniature of the Crucifixion, and like many surviving 13th-century psalters, may have thus provided visual focus for the prayers of a woman in a convent setting. Customarily, the level of quality and the extent to which these books were decorated depended upon the means of the patron.
Lupin’s visual index
a medieval illuminated manuscript depicts the crucifixion of jesus christ with surrounding figures of mary and john.
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