Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art160212portraitMaster of Gijsbrecht van Brederode (Netherlandish)c. 1460–1465CC0cma sacred-art portraits landscapes flora-fauna ink-paper-impressions objects-with-gravity sacred art flora fauna ink paper impressions objects with gravity medieval manuscript saint catherine angel illumination gothic art blue robe gold leaf religious art hand illumination 14th century miniature landscape divine angelic vibrant detailed scripture color illustration book hours use utrechtMaster of Gijsbrecht van Brederode (Netherlandish) c. 1460–1465 Netherlands, Utrecht, 15th century ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards Bound Volume European ReligiousSacred & Devotional Faces in Time Horizons & Places The Living World Ink, Paper & Impressions Objects with Gravity
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Book of Hours (Use of Utrecht) by Master of Gijsbrecht van Brederode (Netherlandish) (c. 1460–1465). Gift of Milton B. Freudenheim in memory of his wife, Elizabeth Ege Freudenheim Rights: CC0. https://clevelandart.org/art/1998.124
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From the museum record
This manuscript is a collaborative effort of two talented illuminators with distinctive styles. Ninety-seven historiated initials (letters containing scenes) are by the Master of the Boston City of God, a painter who worked in Utrecht. Four full-page miniatures (small paintings), including the nativity, have recently been attributed to the Master of Gijsbrecht van Brederode. The background of the nativity depicts a distant cityscape (perhaps Utrecht), adjacent to which may be seen the journey of the magi and the annunciation to the shepherds. In the left margin, the Virgin Mary appears to Emperor Augustus and the Tiburtine Sibyl, who, according to legend, foretold the coming of Christ. Like all books of hours made for the use of Utrecht, this volume is not written in Latin, but in a Dutch littera textualis , an elegant Gothic book hand.
Lupin’s visual index
A vibrant medieval illuminated manuscript depicts Saint Catherine receiving a divine revelation from an angel in a lush, stylized landscape.
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