The Nativity
Practical reuse

Use this artwork.

Verified CC0

This record carries an explicit open-use marker in the source metadata. Download the publication copy or follow the museum record for its master image.

Download publication WebP Open museum master ↗
Rights signal
CC0
Publication file
629 × 900 px · WebP
Suggested credit
The Nativity by Giorgio Ghisi (Italian, 1520–1582) (1553). John L. Severance Fund Rights: CC0. https://clevelandart.org/art/1986.233

Vault de Lupin makes the source signal legible; it does not provide legal advice or replace the institution’s current rights statement.

From the museum record

The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her son's life and death. After spending about five years in Rome, Ghisi left Italy around 1550 for Antwerp, the major commercial center in the Netherlands. There he worked with Hieronymus Cock (about 1510–1570), founder of the largest and best-known print publishing establishment in northern Europe, called The Four Winds. This print reproduces a painting of similar size by the artist Agnolo Bronzino (1513–1572), painted in the late 1530s for Filippo d'Averardo Salviati of Florence. Making a print based on a work belonging to a private individual was an unusual practice during the 16th century.

Lupin’s visual index

a detailed engraving depicts the birth of christ in a humble stable, surrounded by angels and a radiant star.

Machine-assisted description · useful for discovery, not scholarship.
Continue looking

Nearby in the vault.

The Nativity

The Nativity · Giorgio Ghisi (Italian, 1520–1582)

Your private shortlist

Saved works 0

Stored only in this browser. No account, tracking, or upload.

No works saved yet.

Use “Save work” on any catalogue card or artwork record to build a working collection.