Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art146788portraitCamillo Procaccini (Italian, 1546–1629)1587–90CC0cma sacred-art design-assets ink-paper-impressions night-dreams sacred art design assets ink paper impressions night dreams lazarus jesus christianity religious engraving etching grave tomb light shadow renaissance baroque italian art monochrome detailed spiritual historical figure scene the transfigurationCamillo Procaccini (Italian, 1546–1629) 1587–90 Italy, 16th century etching Print European ReligiousSacred & Devotional The Maker’s Cabinet Ink, Paper & Impressions Night, Dreams & Apparitions
Practical reuse
Use this artwork.
Verified CC0
This record carries an explicit open-use marker in the source metadata. Download the publication copy or follow the museum record for its master image.
The Transfiguration by Camillo Procaccini (Italian, 1546–1629) (1587–90). Mr. and Mrs. Charles G. Prasse Collection Rights: CC0. https://clevelandart.org/art/1972.210
Vault de Lupin makes the source signal legible; it does not provide legal advice or replace the institution’s current rights statement.
From the museum record
The Transfiguration of Christ is viewed as a prefiguration of the Resurrection. Three of Christ's followers, Peter, James, and John, accompanied him to a remote hill, where they saw him "transfigured before them; and his face did shine as the sun, and his garments became white as the light" (Matthew 17:2). The disciples saw and heard Elijah and Moses talking with Jesus, then hearing the voice of God they fell on their faces. When they looked up, the vision had vanished and Jesus was himself again.
Lupin’s visual index
A dramatic engraving depicts Jesus Christ raising Lazarus from his tomb, surrounded by onlookers and radiating a divine light.
Machine-assisted description · useful for discovery, not scholarship.
.webp)
