Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art108404portraitOdilon Redon (French, 1840–1916)1899CC0cma sacred-art symbols-patterns design-assets ink-paper-impressions sacred art symbols patterns design assets ink paper impressions angel charcoal drawing monochrome dark sad despair wings chains fall religious symbolism black grey 19th century sketch and saw coming down heaven having the key bottomless pit greatOdilon Redon (French, 1840–1916) 1899 France, late 19th Century lithograph, [object Object], [object Object] Print European ReligiousSacred & Devotional Symbols & Ornament The Maker’s Cabinet Ink, Paper & Impressions
Practical reuse
Use this artwork.
Verified CC0
This record carries an explicit CC0 marker in the source metadata. Download the publication copy or follow the source record for its master image.
And I Saw an Angel Coming Down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand by Odilon Redon (French, 1840–1916) (1899). Gift of Ralph King Rights: CC0. https://clevelandart.org/art/1926.140.9
Vault de Lupin makes the source signal legible; it does not provide legal advice or replace the institution’s current rights statement.
From the museum record
The last of Odilon Redon’s 11 lithographic portfolios, this series relates to the Book of Revelation from the Christian Bible. The subject had been explored throughout art history, allowing the artist to align himself with past masters, such as Albrecht Dürer. Although Redon often vaguely referenced texts, these prints directly illustrate 12 individual passages, including one about a woman clothed with the sun and another focused on a great star falling from heaven. By the time he created this portfolio, Redon’s reputation was well established. The project was published by art dealer Ambroise Vollard, who began to sell and promote Redon’s work about a year earlier, building a market for his prints in Paris and abroad.
Lupin’s visual index
A stark charcoal drawing depicts an angel plummeting downwards, chained and with outstretched wings.
Machine-assisted description · useful for discovery, not scholarship.