Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art166365portraitc. 1275–1300CC0cma sacred-art portraits ink-paper-impressions sacred art ink paper impressions medieval gothic illuminated manuscript script bible genesis vellum hand lettering roman brown gold text religious historical old book page fol full length historiated initial showing the creation and crucifixion all burnishedc. 1275–1300 Southern France, Toulouse(?), 13th century ink, tempera and gold on vellum Bound Volume DecorativeSacred & Devotional Faces in Time Ink, Paper & Impressions
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Fol. 1r, Genesis, with a full-length historiated initial I, showing the Creation and the Crucifixion, all on burnished gold grounds, with diapered pink and blue frames and cusped dragon and foliage extensions at top and bottom, on which are perched a vari (c. 1275–1300). John L. Severance Fund Rights: CC0. https://clevelandart.org/art/2008.2.1.a
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Biblical manuscripts were highly prized and important possessions of churches, monasteries, cathedral schools, and universities throughout medieval Europe. The biblical texts were known as the vulgate, the translations made by Saint Jerome in the fourth century from Hebrew and Greek into Latin, which became the definitive and official Latin version of the Roman Church. In the 13th century, the bible was, for the first time, produced as a single volume with an officially sanctioned sequence to its books and chapters as illustrated by this example. The very extensive decoration of this bible is arranged hierarchically to indicate the relative importance of the various texts so that full or almost full-page initials mark the openings of the first prologue, Genesis, and the first Gospel; historiated initials mark the beginning of each book and illuminated initials mark the Prologues.
Lupin’s visual index
An aged page from the Book of Genesis displays intricate gothic script and illuminated borders in muted earth tones.
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