Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
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Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier (1602–4). John L. Severance Fund Rights: CC0. https://clevelandart.org/art/2005.145.40.a

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Simeon had heard a prophecy that he would encounter the Messiah with his mother in the temple at Jerusalem. This painting depicts his moment of recognition that the prophecy had come true. The temple is populated by Jewish teachers and scholars, and a number of unusual visual elements. A dragon-headed vase is set by the stairs, and niches for vases flank the entrance, possibly in reference to Mary’s status as a vessel for the divine. The form of the temple itself seems to be an imaginative combination of Hindu temple architecture and a Mughal palace.

Lupin’s visual index

An Indian Mughal miniature depicts a gathering of figures, including the Magi, around a table in a courtyard setting.

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Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
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