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Cleveland Museum of Art162145portraitMaster of Adélaïde de Savoie (French, active c. 1450–70)c. 1460–70CC0cma sacred-art portraits ink-paper-impressions sacred art ink paper impressions medieval manuscript illumination religious virgin mary christ child bishop gold leaf fresco blue red brown italian art gothic 15th century religious art detailed old leaf book hours presentation the temple roundels casting lots deposition and pietàMaster of Adélaïde de Savoie (French, active c. 1450–70) c. 1460–70 France, probably Poitiers, 15th century ink, tempera and gold on vellum Manuscript European ReligiousSacred & Devotional Faces in Time Ink, Paper & Impressions
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Leaf from a Book of Hours: Presentation in the Temple with Roundels of the Casting of Lots, the Deposition, and Pietà (None, Office of the Virgin) by Master of Adélaïde de Savoie (French, active c. 1450–70) (c. 1460–70). The Jeanne Miles Blackburn Collection Rights: CC0. https://clevelandart.org/art/2001.78
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From the museum record
The style of this miniature, with its oval faces, abundant draperies, and use of border roundels, follows very closely the characteristics of the Master of Adélaïde de Savoie, who takes his name from a book in Chantilly (Musée Condé, MS. 1362). His activity points to Poitiers in western France as a possible place of production for this piece. The miniature features the unusual placement of roundels showing scenes taken from Christ's Passion against an episode from the life of the Virgin. The main miniature, the Presentation in the Temple, depicts the bringing of the infant Jesus to the Temple forty days after his birth to be consecrated according to Jewish law. During the ceremony, the temple's priest, Simeon, foretold that "Mary's heart would be pierced through her child." The roundels visually dovetail the central miniature.
Lupin’s visual index
This illuminated manuscript page depicts a religious scene with the Virgin Mary, Christ Child, and a bishop in a richly decorated, aged style.
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