Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art162144portraitc. 1430CC0cma african-global-heritage sacred-art portraits landscapes ink-paper-impressions african global heritage sacred art ink paper impressions medieval christian religious illumination manuscript cross christ sacrifice gothic illustration color gold red blue landscape historical europe 14th century leaf excised the tarleton hours carryingc. 1430 Northern France, Normandy, Rouen?, 15th century ink, tempera, silver, and gold on vellum Manuscript ReligiousAfrican & Global Heritage Sacred & Devotional Faces in Time Horizons & Places Ink, Paper & Impressions
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Leaf Excised from the Tarleton Hours: Christ Carrying the Cross (c. 1430). The Jeanne Miles Blackburn Collection Rights: CC0. https://clevelandart.org/art/2001.77
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From the museum record
Although the Hours of the Virgin are traditionally illustrated with scenes from the early life of Christ, sometimes the Passion of Christ, or the events leading up to and immediately after the Crucifixion, are used. This scene of Christ carrying the cross, used for the sixth hour (Sext), is placed between a scene of flagellation, or beating, and the Crucifixion. This book of hours uses the feminine pronoun in prayers, indicating that it had a female owner.
Lupin’s visual index
A richly detailed illuminated manuscript page depicts Christ burdened with the cross, surrounded by onlookers and a dramatic landscape.
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