Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art160217portraitMaster of Gijsbrecht van Brederode (Netherlandish)c. 1460–1465CC0cma symbols-patterns portraits ink-paper-impressions objects-with-gravity symbols patterns ink paper impressions objects with gravity medieval manuscript illumination gothic hand lettering floral border gold leaf blue ink red ink vellum text illumination 15th century religious text decorative art history manuscript page calligraphy book hours use utrecht fol 175r textMaster of Gijsbrecht van Brederode (Netherlandish) c. 1460–1465 Netherlands, Utrecht, 15th century ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards Bound Volume European DecorativeSymbols & Ornament Faces in Time Ink, Paper & Impressions Objects with Gravity
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Book of Hours (Use of Utrecht): fol. 175r, Text by Master of Gijsbrecht van Brederode (Netherlandish) (c. 1460–1465). Gift of Milton B. Freudenheim in memory of his wife, Elizabeth Ege Freudenheim Rights: CC0. https://clevelandart.org/art/1998.124.175.a
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From the museum record
This manuscript is a collaborative effort of two talented illuminators with distinctive styles. Ninety-seven historiated initials (letters containing scenes), including the one on recto (right side) shown here, are by the Master of the Boston City of God, a painter who worked in Utrecht. Four full-page miniatures (small paintings), including the Nativity on the verso (left side), have recently been attributed to the Master of Gijsbrecht van Brederode. The background of the Nativity depicts a distant cityscape (perhaps Utrecht), adjacent to which may be seen the Journey of the Magi and the Annunciation to the Shepherds. In the left margin, the Virgin Mary (above) appears to the Roman Emperor Augustus and the Tiburtine Sibyl, who, according to legend, foretold the coming of Christ. This volume is not written in Latin, but in a Dutch littera textualis, an elegant Gothic bookhand.
Lupin’s visual index
An open medieval manuscript page displays ornate illuminated text and elaborate floral border decorations in blues, golds, and reds.
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