Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art140913portraitMaster of the Brussels Initials and Associates (French)c. 1405CC0cma portraits ink-paper-impressions ink paper impressions medieval illumination manuscript bible stained glass religious art color gold leaf heraldry figure architecture decorative vibrant detailed europe 14th century gothic page text hours charles the noble king navarre 1361 1425 fol 29r annunciation matinsMaster of the Brussels Initials and Associates (French) c. 1405 France, Paris ink, tempera, and gold on vellum Bound Volume EuropeanFaces in Time Ink, Paper & Impressions
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Hours of Charles the Noble, King of Navarre (1361-1425): fol. 29r,The Annunciation (Matins) by Master of the Brussels Initials and Associates (French) (c. 1405). Mr. and Mrs. William H. Marlatt Fund Rights: CC0. https://clevelandart.org/art/1964.40.29.a
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From the museum record
This precious volume was obviously highly prized by its owner, the French-born King of Navarre, who had his coat of arms painted on no less than 20 folios. Rather than directly commissioning this manuscript from a specific workshop, it seems that Charles the Noble acquired his book of hours—perhaps made for the luxury market—while on a trip to Paris in 1404–5. A collaborative effort, six painting styles are seen within the pages of this codex, those of two Italians, two Frenchmen, and two Netherlanders. The painter who was responsible for the planning and decoration of the book, and who produced 17 of the large miniatures, was a Bolognese artist known as the Master of the Brussels Initials.
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a vibrant medieval illuminated manuscript page depicts a kneeling figure within a richly decorated architectural setting.
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