The Crucifixion: Miniature Excised from a Prayer Book
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756 × 893 px · WebP
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The Crucifixion: Miniature Excised from a Prayer Book (c. 1540–1550). Gift of Mrs. Henry A. Everett for the Dorothy Burnham Everett Memorial Collection Rights: CC0. https://clevelandart.org/art/1932.135

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From the museum record

The illuminator is unknown, but his style seems to conform to that known as "Antwerp Mannerism." It emerged among a group of Antwerp painters during the first half of the 1500s. Bolstered by its rich trade and cultural contacts, the port city of Antwerp attracted hundreds of artists-many of them from northern France, the Rhineland, and especially Holland-who joined the local painters’ Guild of Saint Luke, established large painting and sculpture workshops, and fed an expanding market for the production and export of art. Though stylistic traits differed from artist to artist, some defining features of Antwerp Mannerist painting are dramatic gestures, figural arrangements, lavish costumes, vivid, sometimes abrasive coloristic effects, imaginative architecture that freely combines Gothic and Renaissance elements, and demonstrative technical virtuosity

Lupin’s visual index

a devotional painting depicts christ crucified with his mother mary and john the evangelist observing the scene.

Machine-assisted description · useful for discovery, not scholarship.
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The Crucifixion: Miniature Excised from a Prayer Book

The Crucifixion: Miniature Excised from a Prayer Book

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