Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art97139portraitLeonardo da Vinci (Italian, 1452–1519)c. 1500CC0cma sacred-art portraits objects-with-gravity sacred art objects with gravity virgin mary jesus child portrait renaissance oil painting religious art italian art muted colors soft light serene classical mother and child 16th century gold accents virgin andLeonardo da Vinci (Italian, 1452–1519) c. 1500 Italy, early 16th Century oil on wood Painting European ReligiousSacred & Devotional Faces in Time Objects with Gravity
Practical reuse
Use this artwork.
Verified CC0
This record carries an explicit open-use marker in the source metadata. Download the publication copy or follow the museum record for its master image.
Virgin and Child by Leonardo da Vinci (Italian, 1452–1519) (c. 1500). Holden Collection Rights: CC0. https://clevelandart.org/art/1916.779
Vault de Lupin makes the source signal legible; it does not provide legal advice or replace the institution’s current rights statement.
From the museum record
Madonna and Child appear in half-length, seated against a dark wall. The Child's body is covered in shadow as he looks over his shoulder at his mother. This painting was bought by James Jackson Jarves as a Leonardo. The landscape and features of the figures are similar to Leonardo's Madonna of the Rocks , and in typical Leonardesque fashion, the figures' heads incline slightly to the left. However, Virgin and Child was later attributed to a member of Leonardo's circle named Francesco Napolitano (active 1500) because of its resemblance to his Madonna and Child with St. Sebastian and St. John the Baptist in Zurich, Switzerland. Virgin and Child has not been widely accepted as a work of Napolitano; however, he was certainly a member of Leonardo's circle. The Sforzesco Castle, the seat of Milan's ruling Sforza family, appears in the background. The castle's original Torre del Filarete, visible in this painting, was destroyed by lightning in 1521 and later rebuilt by Francesco II Sforza. The destruction of the tower establishes a date of about 1500 for this painting.
Lupin’s visual index
A serene portrait depicts the Virgin Mary holding her infant son, Jesus, in a contemplative pose.
Machine-assisted description · useful for discovery, not scholarship.