Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art144187square545–565CC0cma african-global-heritage portraits african global heritage coin gold byzantine roman emperor justinian halo cross ancient numismatics portrait religious historical greek medieval metal artifact currency portraiture solidus reverse545–565 Byzantium, Constantinople, Byzantine period gold Coins ReligiousAfrican & Global Heritage Faces in Time
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Solidus of Justinian I (reverse) (545–565). Gift of William Mathewson Milliken, in memory of his father Thomas Kennedy Milliken Rights: CC0. https://clevelandart.org/art/1968.55.b
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From the museum record
The vast number of surviving Byzantine coins attests to the level of trade across the empire. Controlled and supervised by the emperor, the producers of coins took care to represent his authority and reflect his stature. Talented artists were recruited to engrave the dies (molds) used for the striking of coins. Emperors increasingly came to include their heirs and co-emperors on their coinage, as well as other family members or even earlier rulers. Coins were recognized, then as now, as small, portable works of art. With their inscriptions and images, Byzantine coins provide valuable documentation of historical events and a record of the physical appearance of the emperors. The solidus is the basic gold coin of 24 karats; the tremissis, a gold coin of one-third the weight and value of the solidus; and the nomisma, which in the 10th century replaced the solidus as the standard gold coin.
Lupin’s visual index
A small, circular gold coin depicts Emperor Justinian in profile, wearing a halo and holding a cross.
Machine-assisted description · useful for discovery, not scholarship.