Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art142019landscapeAugustin de Saint-Aubin (French, 1736–1807)1753CC0cma sacred-art portraits landscapes sacred art portrait turkish court rococo oil painting figures light muted colors historical male female luxury 18th century laban searching for his stolen godsAugustin de Saint-Aubin (French, 1736–1807) 1753 France, 18th century oil on canvas Painting European ReligiousSacred & Devotional Faces in Time Horizons & Places
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Laban Searching for His Stolen Gods by Augustin de Saint-Aubin (French, 1736–1807) (1753). Gift of Ruth and Sherman E. Lee in memory of their parents, George B. and Inez W. Ward, and Emery and Adelia Lee Rights: CC0. https://clevelandart.org/art/1965.548
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From the museum record
This painting is a sketch for a special competition in 1753 held by the Royal Academy in Paris. After the Grand Prix de Rome, the academy's top student prize, an unexpected vacancy in the school's branch in Rome required the academy to hold another contest. Saint-Aubin's oil sketch was well received and he won first place among three finalists. However, his final canvas, now in the Louvre, failed to garner him this distinguished award. Saint-Aubin eventually abandoned his goal of becoming a member of the Royal Academy and joined the less-prestigious Academy of St. Luke. The subject of Saint-Aubin's sketch, selected by the academy, comes from the Old Testament book of Genesis (31:33–35). After toiling for Laban for 14 years, Jacob fled with his wife, Rachel, who was also Laban's daughter. Unbeknownst to Jacob, Rachel had stolen her father's idols before their departure to secure her right to her first born. Laban tracks down Jacob and Rachel and accuses them of carrying off his idols. Jacob is still unaware of Rachel's previous actions, and she has hidden the gods under a camel saddle on which she sits.
Lupin’s visual index
A group of figures, including a seated man and a woman in a bed, are depicted in a lavish, dimly lit interior suggestive of a Turkish court.
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