Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot
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Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot by Fra Filippo Lippi (Italian, c. 1406–1469) (1458). Leonard C. Hanna Jr. Fund Rights: CC0. https://clevelandart.org/art/1964.150

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From the museum record

These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’ Medici of Florence commissioned the ensemble in 1457 as a diplomatic gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword, shield, and exquisitely bejeweled armor celebrate his role as heaven’s defender against evil.

Lupin’s visual index

Two arched panels depict Saint Francis of Assisi and an angel in Renaissance-style religious art.

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Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot

Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot · Fra Filippo Lippi (Italian, c. 1406–1469)

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