Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art132367portraitBattista di Biagio Sanguigni (Italian, active 1393–1451)1419CC0cma sacred-art portraits objects-with-gravity sacred art objects with gravity virgin mary jesus madonna child gothic art italian painting religious art portrait medieval gold leaf blue brown red virgin and enthronedBattista di Biagio Sanguigni (Italian, active 1393–1451) 1419 Italy, Tuscany tempera and gold on wood Painting European ReligiousSacred & Devotional Faces in Time Objects with Gravity
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Virgin and Child Enthroned by Battista di Biagio Sanguigni (Italian, active 1393–1451) (1419). Gift of the Hanna Fund Rights: CC0. https://clevelandart.org/art/1954.834
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From the museum record
Rather than depicting a single moment in time, this gold-ground painting symbolically encapsulates Christ. Seated on a rich throne, the monumental Virgin holds the Christ child. Above, the risen Christ is seen in heaven holding a book, inscribed with the alpha and omega, the first and last letters of the Greek alphabet, signifying Christ’s role as the beginning and end of all things. The Italian inscription states: "This painting was made for Antonio di Domenicho Giugni for the repose of his soul, the year of our Lord 1419." In the 1300s, Italian painting focused on the heavenly aspects of Christian faith in order to convey abstract religious concepts. Depicted as specimens of formal beauty, sacred figures were placed against an ethereal gold background. Within a hundred years, artists began to highlight the earthly aspects of sacred figures, placing them within naturalistic landscapes. In this newer style of painting, the approachability of sacred figures fostered devotion among the faithful.
Lupin’s visual index
The painting depicts the Virgin Mary seated with the infant Jesus, rendered in a traditional Gothic style.
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