Vol. I · The open image paperWinnipeg · Musée sans mursRecovered · Remembered · Returned
Cleveland Museum of Art296866portrait1800sCC0cma african-global-heritage symbols-patterns objects-with-gravity african global heritage symbols patterns objects with gravity african art sculpture wood carving iroko twins nigeria yoruba ritual ancestor mask beaded jewelry dark wood bronze traditional artisan culture geometric abstract symbolic dance staff for ògò èlẹ gba1800s Africa, West Africa, Nigeria, Yorùbá-style maker Wood, leather, cowrie shells, seeds, and natural fiber Sculpture African DecorativeAfrican & Global Heritage Symbols & Ornament Objects with Gravity
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Dance staff for Èṣù (Ògò Èlẹ́gba) (1800s). John L. Severance Fund Rights: CC0. https://clevelandart.org/art/2018.34
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From the museum record
Èṣù (also called Èḷégba) embodies the most complex deity in the Yorùbá pantheon of gods. The messenger of the Yorùbá gods, Èṣù is also the bearer of sacrifices, guardian of the ritual way of life, and is associated with highly significant places including crossroads, markets, and home entrances. As seen here, Èṣù's power is often visually represented in Ògò Èḷégba (dance staffs); in this example, the unusually paired man and woman reference his ability to switch between the two genders, turn death into life (through childbirth), and to overcome the tension between the sexes. The male character bears a ritual flute reserved for this god. The abundance of cowrie shells means that Èṣù brings wealth.
Lupin’s visual index
A pair of intricately carved Iroko twins sculptures, adorned with beaded necklaces, stand on a dark wooden base.
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